LIPSTICK ROSE
Fruity floral notes
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Description
LIPSTICK ROSE, the fragrance of timeless glamour, by Ralf Schwieger.
An eternal gesture of seduction, that intimate moment when a star, in the quiet comfort of her dressing room, looks in the mirror and glides her lipstick over her lips. The powdery fragrances produced by the violet and the iris, two flowers associated with eye shadow and other make-up products, whose scents conjure up the magnetic appeal of the eternal feminine. To elicit a smile, a playful, juicy note of raspberry counters the effervescence of the grapefruit. And for sweetness, there are velvet threads of vanilla and white musk. It's all there. Showtime.
Violet, rose, white musk, sandalwoodDetails
Top notes: grapefruit; violet
Middle notes: rose; iris; raspberry
Base notes: vanilla; white-musk
100 ml / 3.4 fl. oz
50 ml / 1.7 fl. oz
10 ml / 0.3 fl. oz (Refill format for our iconic travel case available separately here)
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Ingredients: Alcohol Denat., Water\Aqua\Eau, Fragrance (Parfum), Alpha-Isomethyl Ionone, Hydroxycitronellal, Geraniol, Citronellol, Coumarin, Cinnamyl Alcohol, Benzyl Benzoate, Linalool, Citric Acid, Citral, Limonene, Bht, Tocopherol, Pentaerythrityl Tetra-Di-T-Butyl Hydroxyhydrocinnamate
Please be aware that ingredient lists may change or vary from time to time. Please refer to the ingredient list on the product package you receive for the most up to date list of ingredients.Please be aware that ingredient lists may change or vary from time to time. Please refer to the ingredient list on the product package you receive for the most up to date list of ingredients.
The Perfumer
Ralf Schwieger
Ralf Schwieger once took part in a perfume contest that Frédéric Malle had staged for young perfumers. Frédéric sampled their perfumes one by one, blindfolded, until he reached Ralph’s sketch of what was to become Lipstick Rose, and Ralf was chosen to join Editions de Parfums. Having spent his childhood in Germany exploring forests and absorbing all of their unusual smells, Ralf is prone to creating perfumes with unexpected personalities. He describes his attitude to perfume making as a game in two parts, whose first is intellectual or conceptual, and whose second is a lengthier one of sensory research. His perfumes, as a result, are both cerebral and intuitive.
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